Production Resume

For more information on Chloe’s organizational experience please click here:

Chloes CV

DIRECTING CREDITS (*= Assistant Director)

*1984, Theatre Charlotte (Charlotte, NC)- 2024

*Detroit 67’, Theatre Charlotte (Charlotte, NC)-2023

*The Book of Layman, Queen City New Play Initiative (Charlotte, NC)-2023

Single Black Female, University of North Carolina at Charlotte (Charlotte, NC)- 2022

*These Shining Lives, University of North Carolina at Charlotte (Charlotte, NC)- 2022

*Jump, University of North Carolina at Charlotte (Charlotte, NC)- 2022

*FIVE, The Eugene O’Neill Theatre Center (Waterford, CT)-2022

Circus Intensive, University of North Carolina at Charlotte (Charlotte, NC)- 2022

Gather, University of North Carolina at Charlotte (Charlotte, NC)- 2021

ACTING CREDITS

Intimate Apparel as Esther ,  University of North Carolina at Charlotte (Charlotte, NC)- 2025

Stick Fly as Cheryl,  Theatre Charlotte (Charlotte, NC)- 2025

A Raisin in the Sun as Stage Directions,  University of North Carolina at Charlotte (Charlotte, NC)- 2024

Leaving Watermaine as Magdalene Mainlodge, Charlotte Conservatory Theatre (Charlotte, NC)- 2024

Shotgun, XOXO Theatre (Charlotte, NC)- 2023

The Jazz Tree as Mary Lou Cage, Queen City New Play Initiative (Charlotte, NC)- 2023

These Shining Lives as Frances, University of North Carolina at Charlotte (Charlotte, NC)- 2022

Pippin as Berthe, University of North Carolina at Charlotte (Charlotte, NC)- 2022

MigrantX as Ensemble, University of North Carolina at Charlotte (Charlotte, NC)- 2021

STAGE MANAGEMENT CREDITS (*= Assistant Stage Manager)

Fall Orchestra Concert, University of North Carolina at Charlotte (Charlotte, NC)- 2025

On God, North Carolina Black Repertory (Winston-Salem, NC)-2023

La Bestia, Chicago Physical Theatre Festival (Chicago, IL)- 2023

Miradas, Chicago Physical Theatre Festival (Chicago, IL)-2023

Ancestral, Charlotte Shout (Charlotte, NC)-2023

The Merchant of Venice, University of North Carolina at Charlotte (Charlotte, NC)- 2022

*Freedom Summer, The National Black Theatre Festival (Winston-Salem, NC)-2022

TECH CREDITS

The Dance Spot Concert, University of North Carolina at Charlotte (Charlotte, NC)- 2022

Zeal For Life, University of North Carolina at Charlotte (Charlotte, NC)- 2022

Percussion Ensemble 22’, University of North Carolina at Charlotte (Charlotte, NC)- 2022

Gospel Choir 22’, University of North Carolina at Charlotte (Charlotte, NC)- 2022

Women's Choir 22’, University of North Carolina at Charlotte (Charlotte, NC)- 2022

Men’s Choir 22’, University of North Carolina at Charlotte (Charlotte, NC)- 2022

Spring Dance Concert 22’, University of North Carolina at Charlotte (Charlotte, NC)- 2022

Wind Ensemble & Symphonic Band, University of North Carolina at Charlotte (Charlotte, NC)- 2022

Percussion Ensemble 21’, University of North Carolina at Charlotte (Charlotte, NC)- 2021

Gospel Choir 21’, University of North Carolina at Charlotte (Charlotte, NC)- 2021

Women's Choir 21’, University of North Carolina at Charlotte (Charlotte, NC)- 2021

Men’s Choir 21’, University of North Carolina at Charlotte (Charlotte, NC)- 2021

Spring Dance Concert 21’, University of North Carolina at Charlotte (Charlotte, NC)- 2021

Far Away, University of North Carolina at Charlotte (Charlotte, NC)- 2020

TRAINING & DEVELOPMENT

Intimacy Choreography Workshop, Laura Rikard (2023)

Working with Actors Workshop, Kelsey Mesa (2023)

Theatre in the Digital Age Workshop, Raymond O. Caldwell (2023)

Theatre of the Oppressed Workshop, Sulu LeoNimm (2022)

Intimacy Choreography Workshop, Laura Rikard (2022)

The Known & Unknown: Creating Your Own World, Christopher Jewels-Booth (2022)

Directing Immersive Theatre, Kristina M. McCloskey (2022)

A Path Forward: BIPOC & DEI in Theatre, Gary Marshall (2022)

For Colored Girls Who Love Heightened Text, Jacqueline Springfield (2022)

Social Justice and Theatre: Curriculum and Best Practices, Ann Marie Halstead (2022)

Designer and Director Collaborative Communication Study and Practice, Randall Enlow (2022)

Intersectionality in Theatre, Lady Dane (2022)